The Starry Night, 210

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Scorpius & Ophiuchus.

2021/06/16.

Scorpius HR 20210616

Dust and Gas and Antares and Rho Ophiuchi and M4 and, and, and...
Click the image for a bigger view.

The Moon was a little big for this but it's always something. The weather was all but guaranteed to stay good, so I tried anyway. I used Photo Ephemeris to find an area in the neighborhood with a chance to see far enough south. The NE corner of the parking area at the community lot looked promising, and it worked. I got there a few minutes after midnight, set up and was imaging without problems in 10-15 minutes. I took data for a little over an hour, from the time the field cleared the tall pines in the south until those in the southwest began to encroach: 164 frames in all, 20- and 30-second exposures at F2.2 and F2.0 with the Sigma 105 and Canon R6 at ISO 1600 on the Meade LXD-55. Polar alignment is not at all demanding when using such short focal lengths and short exposures: I set the polar axis's elevation using an iPhone and a tool designed to find roof pitches (adjust the mount until the "pitch" of the polar axis matches your latitude). I lined up on unseen Polaris by guessing its direction relative to the stars that I could see. Nor were the skies especially promising. Even after the moon went down, I could just barely see the Milky Way and only because I knew where to look.

I started at F2.2 and 20 seconds (which produced a near centered histogram), and after moonset, I opened the lens a tidge and extended the subs to 30s. That lens is sharp at F1.4, and ISO 1600 is slumming for the R6, so there's a lot more to do under really dark skies. Call this image a down payment. (I don't get to this field very often. I visited from Doughton Park several years ago with a 180mm Nikkor on the 6D, and I took aim at Antares and its immediate environs with a 10-inch reflector from Rodeo last year.)

Here are a few highlights cropped from the full frame and further polished.

 

Blue Horse Head

 

Rho Clouds

 

M4 Antares

Click any of those for a better look.

 

Any post-processing worth doing is worth overdoing, right? Here's IC 4592 with much more emphasis on its clouds (bright and dark) and its colors.


Blue Horsehead

Click on it!

 

And now that I've worked with the field's details some, here's the whole field reworked to bring out dust using Pixinsight's "Starnet" routine to process nebulous details and star data separately:

dusty

Worth a closer look, so gwan.

 

The metamorphosis from the raw data to finished images is particularly striking in this instance. Some weeks ago, I determined that a s/w treatment based on greatly defocused images could be used in a pinch for a flat frame to remove large-scale gradients and hotspots. ProDigital, the makers of StarSpikes, have done me one much better with a Photoshop plugin called "AstroFlat." Here's one frame from the multitude, a 30-second exposure at F2.0:

one raw frame

 

and here's what AstroFlat did with just that single sub:

 

astroflat

 

I piled up 160 frames very much like that raw frame in Pixinsight, aligned and averaged them, then applied the AstroFlat filter. I extracted a starless field so I could mix the stars back in while leaving the nebulae on center stage. The finished version is as you see in all the images on this page. When you "take a better look," at the cropped regions, you're seeing them at the full resolution available from the camera. I have not found a practical workflow for calibrating (or "calibrating") images prior to stacking using the flat that AstroFlat can export, but it clearly works quite well on the stacked data.

If an hour under class 5 skies and first quarter moonlight can do this, just wait till I can open up the lens, quadruple the ISO, and expose several times longer. (Never happy, what can I say?)

 

 


 
My deep-sky photos are made with a variety of sensors and optics. Deepest images come now from a ZWO ASI1600MM Cooled Pro CMOS camera, an ASIair (model 1) and sometimes one of several laptops. A good many images come from an unmodded Canon 6D but a lot more will be coming from an R6. Video and video extracts begin in a Canon EOS M, usually running in crop mode via Magic Lantern firmware (but the 6D and especially the R6 will probably see more use). Telescopes include an AT10RC, an Orion 10" F4 Newtonian, and a pair of apochromats: a TMB92SS and a AT65EDQ. A very early Astro-Physics 5" F6 gets some use, too. So do lots of camera lenses on both the ASI1600 and on the Canons. A solar Frankenscope made using a 90mm F10 Orion achromat and the etalon, relay optics, and focuser from a Lunt 60 feeding a small ZWO camera will see more action as the Sun comes back to life (Autostakkart!3 is my current fav for image stacking). Mounts include an iOpton SkyTracker (original model), a bargain LXD-55, a Losmandy G11 (492 Digital Drive), and an Astro-Physics Mach1. PixInsight does most of the heavy lifting; Photoshop polishes. Some of the toys are more or less permanently based in New Mexico. I desperately hope to get back soon.

 

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                   © 2021, David Cortner