Staring @ the Sun, 46

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05/11/2012. Couple of steps forward, one sideways.
First, I finally figured out how to get AVIStack to work with only the best N% of frames. (Insert dopeslap here.) It really makes a huge difference. This is why I don't routinely toss my AVI clips -- just in case I learn a better way to process them. And since I was concentrating all day only on one AR, I decided to try the longer EFL configuration again (barlow on end of 1.25" snout rather than mounted internally). Those two things worked fine. Even after the meridian flip in the heat of the afternoon, the longer EFL paid off.

I tried selecting the best 50% of some 300 frame clips and the best 40% of some 400 frame clips. 150-160 frames is great for suppressing noise. There's going to be a balance to strike between electronic noise and noise from poor images. The netbook will buffer 400 frames, so why not start there? The improvement from tossing the poorer frames is dramatic.

First thing this morning, I watched a C-flare light up in AR1476. More followed. Sometimes the big umbra was surrounded by a ring of bright B and marginal C activity, like a firey reef surrounding a plasma atoll. Someone on Spaceweather yesterday compared watching flare activity around AR1476 to watching a lightning storm. Just so. Later in the day, after I went to the longer focal effective focal length, a couple of longer plasma channels lit up in the brightest flare of my session, a longer duration C5 that flashed along a couple of very long paths.

 

sun

C-flare (upper right)
300 x 8ms 6db
best 150 frames (50%)

 

Sun

400 x 10ms 6db
best 160 frames (40%)


Sun

AR 1476 at longer EFL
400 x 8ms 6db
best 160 frames (40%)

 

Sun

C5 flare below umbra
400 x 4ms 6db
best 160 frames (40%) cropped

 

Then I tried to connect the netbook in the yard to the router in my office with an Ethernet cable. No luck so far. I snapped the tab off one end of the cable (the long, "inside" end). Tried it firmly inserted and with a replacement RJ45. I saw "connected" once, for a second or less, which makes little sense. Anyway, no luck. I brought the netbook inside and hooked it to the router with a shorter ethernet cable to be sure the scheme would allow tethered remote control. That worked. There's still a wifi-step between the router and the desktop but even so, I saw 5-7x faster file transfers. So it's worth pursuing this connection for video, but it's not a world of difference for control and it seems inconsequential for slower-paced deep-sky use.

 

Sun

400 x 8ms 6db
best 160 frames (40%)

 

This image was an experiment that I thought was acquired through the wire, but was really captured -- like all the others -- over the wifi connection. It's included here to say, "No matter how crappy the seeing is, it's worth taking the shot if something interesting is happening," because you just can't imagine how hopeless this looked on the screen, and yet, there it is just about as good as any of them.

Later in the evening, I meticulously examined the original RJ45 plug and wired another new one. Still no luck. Maybe I snapped something while working kinks out and passing it through the too-small conduit from the inside of the basement to the great world beyond. Maybe it's just lousy cable. Maybe, as seems likely, you just don't get 150' of good cable for $7.99. I ordered a new cable from Cables to Go and will give that a try next week. I'll leave this one in place as a good cable pull.

 

5/15/2012. The Cables to Go 150' Cat5 cable works like a charm, at least when tested indoors. It runs from the router beside my desk to the telescopes in the backyard. Very pliable compared to the RiteAV mess it replaces. Just a hint of clear skies would be enough for some informative tests.

 

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Except where noted, solar photos are made with a Point Grey Research Chameleon camera behind a Lunt Solar Systems 60mm THa solar telescope double-stacked wtih a 50mm front etalon for an achieved bandwidth of about 0.55 Angstroms. The telescope uses a B600 blocking filter and is mounted piggyback with an Astro-Tech 10-inch Ritchey-Chretien (carefully capped!) on an Astro-Physics Mach1GTO mount. An Acer Aspire One netbook running Point Grey's Flycap software provides camera control and capture services via USB 2.0. Images typically begin as 20 second AVI's captured at 15 fps. 300 frame clips are aligned and stacked using Registax 6 or AVIStack 2.0. The resulting files are processed via wavelet functions in Registax and / or the FocusMagic 3.0.2 deconvolution plug-in in Photoshop CS4. (PixInsight is rapidly supplanting some of those steps.) The imaging train usually includes an Orion "Shorty" 2x barlow screwed into the 1.25-inch prime-focus snout. Exposures are on the order of 4-8 ms with gain set to 10-12 db, or 12-18ms at 0 gain. The barlow is sometimes replaced by an Antares 0.5x telecompressor sandwiched between the 1.25-inch snout and the C-adapter on the PGR Chameleon; this produces a full-disk image (during most of the year) and allows exposures in the 1ms range with slightly less gain. A RoboFocus motor with a timing belt looped around the stock (or, sometimes, a Feathertouch) focus knob enables remote operation.


 

 


                   © 2011, David Cortner